This is Why Colorists Should Be the Most Appreciated People in Post Production via No Film School
The grade is sometimes the least of our worries during production or in pre-production. But it’s key that the director has an understanding of what he/she wants at grade stage and communicates this to the colorist (preferably well before the colorist gets the media landing on their desk!). A great grade can really help sell mood and/or tone, or cover up slight mistakes that you’ve no cover shot for – a poor grade can detract from great footage!
If you’re a camera geek, DP or Director and you’re on Twitter definitely check out @ShotOnWhat it’s a great feed giving the low down on which cams were used on which films.
Not on Twitter? Well, guess what, these guys have thought of that and they have a website: shotonwhat.com
One of my recent favourites Snowpiercer – deets here: http://shotonwhat.com/snowpiercer-2013.html
Thanks to @bensoper for the tip! Continue reading DoP/Directors on Twitter…
villedefilm.wordpress.com is our new home now…
Control and purpose. Yup, technically three if you count the ‘and’, so let’s not, it’s two…
Control in terms of filmmaking and Purpose in relation to filmmaking and writing. Those are the two tenets I keep in the forefront of my mind when making stuff.
Control could be anything from decision-making on which shots to use in an edit, how long the script should be etc. In an ideal world you – the maker – would have ultimate control over your work. You won’t – lots of things come in to play – weather, budget, crew, time, clients (either in the traditional corporate sense or else stakeholders/commissioners) – all of these people and factors wrestle control away from you, from the initial vision and ideal that you have/had. But, always try and retain as much control as possible – that doesn’t mean stamping your feet until people give way to you – that won’t happen in the main and you’ll look petulant! Also – try that with weather…! So, it’s a case of being flexible and adaptive whilst retaining control of your concept – you maintain some control that way.
Which feeds in to Purpose – why are you making this film, who is it for (which audience)? Purpose is paramount – you need to know why you’re doing something before you go and do it. Both writing and filmmaking benefit from having a clear purpose. That seems like common sense, but it’s sometimes hard to focus on that when you’re in the belly of the beast wrestling with 2nd Act issues. Likewise, when some control is lost on a shoot – terrible weather, change of budget etc – think again of what he original purpose of this film is – whom is it for – what can we do to hit that?
Control and Purpose.
It took me a while to get to grips with Facebook several years ago, I invariably became bored with it and decided that Zuckerberg et al potentially owning my photos and content wasn’t for me so quit that. I looked to Twitter as an alternative – that’s been working out fine – the limit on characters can sometimes prove challenging, but equally focuses you on keeping things concise – no bad thing… so I’ll get to the point of this post! It took me a couple of months to get to grips with Twitter – how it worked, what the big kaffufle was with it – then the penny dropped and now I love it as an expressive social media platform. Blogging – I’m not so sure about! So, if you’re reading this – please bear with me – I will get to grips with what works and what doesn’t!
From David Kong. It explains codec principles and compression and is well worth a watch, especially if you’re editing in Premiere Pro and exporting via Media Encoder.
http://thescriptlab.com is a fantastic resource for screenwriters. Check it out…